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Features:
8 faders, each with instant access to any source. Assign any type of source to any channel with a simple twist of the Options knob.
Proven surface-and-core architecture separates control from mixing processes. No audio passes directly through Radius; all mixing and processing is performed in the QOR.16 Integrated Console Engine – so studio “accidents” don’t turn into off-air events.
Four main stereo outputs (Program-1 through Program-4).
Software upgrade for QOR.16 integrated console makes Radius AoIP console AES67-compliant.
Built-in three-band per-source EQ.
Alpha-numeric OLED displays below each fader always show the current audio source, and, when the Options knob is pressed, offer fast adjustment of fader gain trim, voice EQ, pan and balance, phase correction and other features without panel clutter or intimidating controls.
Channel-input confidence meters assure talent of audio presence before taking sources to air.
Each fader’s context-sensitive Soft key can be used to activate talkback, start delivery system events, or perform other special functions.
Every fader has a stereo Preview (“cue”) function, with a unique interlock system for fast cuing of multiple sources.
Smooth, long-life 100mm. conductive-plastic faders resist dirt and contamination.
Reconfigurable CR monitor section with direct-selection of Program buses and reassignable buttons that allow instant monitoring of external sources.
An additional monitor section provides monitor volume, source selection and talkback controls for an associated air studio.
Flexible talkback system lets board op talk to studio guests or any Phone or Codec source with an associated backfeed.
Up to 8 automatic mix-minuses may be used simultaneously for phones, remote talent, etc.
Unique Record Mode enables one-button setup of record mixes for phone bits or off-air interviews.
Bright, readable bar-graph displays provide responsive, readable VU or PPM metering styles. Switchable displays allow metering any Program bus or monitor selection.
Meter-bridge display includes a precision event timer that may be operated manually or triggered by starting preselected sources, and a time-of-day clock that can be synchronized to network time using NTP.
Four custom Show Profile “snapshots” can be saved to instantly recall frequently-used console setups – useful to quickly prepare for interview segments, music-intensive programming, call-in talk shows, etc.
All functions can be accessed remotely for configuration, management and diagnostic purposes using any standard Web browser.
Radius surface is field-convertible to rack-mounted operation. Special faders provide smooth operation, yet hold their positions in vertical orientation.
Easy-to-deploy QOR.16 integrated console engine includes console CPU and power supply, DSP mixing engine, custom Ethernet switch with 6 Livewire® ports and 2 Gigabit ports for studio networking, 8 analog inputs and 4 analog outputs, 1 AES input and 1 AES output, 2 Mic inputs with switchable Phantom power, and 4 GPIO ports for machine control. I/O can be expanded using Axia xNodes.
Integrated zero-configuration network switch is custom-designed for broadcasting — no switch setup required.
QOR.16’s built-in Ethernet switch supports Simple Networking, allowing up to 4 iQ consoles to be daisy-chained without the need for a separate core switch.
Fan-free, convection-cooled power supply for noiseless in-studio operation.
Configurable network gateway allows loading of networked as well as local audio sources while simultaneously exporting audio streams for network use elsewhere. Gateway can be configured for 12-in, 4-out or 8-in, 8-out modes.
Specifications:
QOR.16 Connections
Microphone Inputs: 2x balanced XLR-F, with selectable Phantom power
Analog Inputs: 8x RJ-45, StudioHub+ standard.
Analog Outputs: 4x RJ-45, StudioHub+ standard.
AES/EBU Inputs: 1x RJ-45, StudioHub+ standard.
AES/EBU Outputs: 1x RJ-45, StudioHub+ standard.
GPIO: 4x DB-15
Livewire:
4x 100BASE-T with PoE, RJ-45
2x 100BASE-T, RJ-45
2x 1000BASE-T, RJ-45
2x Gigabit, SFP (Small Form Pluggable)
Console Frame Connections: 1x, 6-pin “latch and lock” style
Accessory Connections: 1x, 6-pin “latch and lock” styleº
Microphone Preamplifiers
Source Impedance: 150 Ohms
Input Impedance: 4 k Ohms minimum, balanced
Nominal Level Range: Adjustable, -75 dBu to -20 dBu
Input Headroom: >20 dB above nominal input
Output Level: +4 dBu, nominal
Analog Line Inputs
Input Impedance: 20 k Ohms
Nominal Level Range: Selectable, +4 dBu or -10dBv
Input Headroom: 20 dB above nominal input
Analog Line Outputs
Output Source Impedance: <50 Ohms balanced
Output Load Impedance: 600 Ohms, minimum
Nominal Output Level: +4 dBu
Maximum Output Level: +24 dBu
Digital Audio Inputs And Outputs
Reference Level: +4 dBu (-20 dB FSD)
Impedance: 110 Ohm, balanced (XLR)
Signal Format: AES-3 (AES/EBU)
AES-3 Input Compliance: 24-bit with selectable sample rate conversion, 20 kHz to 216kHz input sample rate capable.
AES-3 Output Compliance: 24-bit
Digital Reference: Internal (network timebase) or external reference 48 kHz, +/- 2 ppm
Internal Sampling Rate: 48 kHz
Output Sample Rate: 48 kHz
A/D Conversions: 24-bit, Delta-Sigma, 256x oversampling
D/A Conversions: 24-bit, Delta-Sigma, 256x oversampling
Latency <3 ms, mic in to monitor out, including network and processor loop
Frequency Response
Any input to any output: +0.5 / -0.5 dB, 20 Hz to 20 kHz
Dynamic Range
Analog Input to Analog Output: 102 dB referenced to 0 dBFS, 105 dB “A” weighted to 0 dBFS
Analog Input to Digital Output: 105 dB referenced to 0 dBFS
Digital Input to Analog Output: 103 dB referenced to 0 dBFS, 106 dB “A” weighted
Digital Input to Digital Output: 125 d
Equivalent Input Noise
Microphone Preamp: -128 dBu, 150 Ohm source, reference -50 dBu input levelºººººººº
Total Harmonic Distortion + Noise
Mic Pre Input to Analog Line Output: <0.005%, 1 kHz, -38 dBu input, +18 dBu output
Analog Input to Analog Output: <0.008%, 1 kHz, +18 dBu input, +18 dBu output
Digital Input to Digital Output: <0.0003%, 1 kHz, -20 dBFS
Digital Input to Analog Output: <0.005%, 1 kHz, -6 dBFS input, +18 dBu outputº
Crosstalk Isolation, Stereo Separation And CMRR
Analog Line channel to channel isolation: 90 dB isolation minimum, 20 Hz to 20 kH
Microphone channel to channel isolation: 80 dB isolation minimum, 20 Hz to 20 kHz
Analog Line Stereo separation: 85 dB isolation minimum, 20Hz to 20 kHz
Analog Line Input CMRR: >50 dB, 20 Hz to 20 kHz
Microphone Input CMRR: >50 dB, 20 Hz to 20 kHz
Audio Processing
Mic Equalizer (applicable to up to 6 faders)
Frequency Bands: 20Hz to 320Hz, 125Hz to 2KHz, 1.25KHz to 20KHz.
Cut/Boost range on each band: -25dB to +15dB.
Q-factor: Automatic - bandwidth varies based on amount of cut or boost.
Power Supply AC Input, QOR.16 with Radius Console
Auto-sensing supply, 100VAC to 240VAC, 50 Hz to 60 Hz, IEC receptacle, internal fuse
Power consumption: 100 Watts
Operating Temperatures
-10 degrees C to +40 degrees C, <90% humidity, no condensation
Dimensions
20.5” x 19” x 4.5” (desktop to meter bridge)