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OMNIA ENTERPRISE 9S PN 3001-00395-000 HIGH DENSITY VIRTUAL AUDIO PROCESSING SOFTWARE FEATURES
SKU
OMNIA-ENTERPRISE-9S
MFR#
3001-00395-000
$5,995.00
Availability:
Out of stock
OMNIA ENTERPRISE 9S PN 3001-00395-000 HIGH DENSITY VIRTUAL AUDIO PROCESSING SOFTWARE FEATURES
Meet Omnia Enterprise 9s, the high-density audio processing software solution designed with the flexibility to meet the rapidly changing infrastructure needs of broadcasters as they transition to virtualized environments. 9s is a custom solution for high-density server-based (virtual) systems for customers with a large volume of signals that need to be processed. Talk with our sales team to design your 9s solution based on your specific needs.
Scalable, Customizable, Centralized
9s combines product modules in a new and unique way to deliver the software-only, high-density solution needed by today’s broadcasters. Each system can be customized to your needs, which allows you to make changes as your requirements change. 9s can be programmed for FM and streaming, for example, giving you the flexibility to quickly add specialty channels. For example, as you add more streaming channels to your network, 9s adapts to fit your needs.
Centralize your processing by using 9s at the head end and transmit either L/R audio to each transmitter location or the full composite signal to the transmitter using the new Omnia MPX node.
Key Features:
- Undo – Our unique method of processing audio that has been clipped during the mastering process and/or hyper-compressed dynamically as is the case with most music recorded in the past 20 years. Undo is a two-stage process that consists of a declipper that reconstructs audio peaks (thereby removing the resulting distortion present in the original content) and a multiband expander that adds dynamic range to highly compressed material.
- Phase Processing – Including an adjustable phase rotator to help eliminate distortion in asymmetrical voices and a phase scrambler to minimize distortion on certain instruments with strong odd-order harmonics.
- Final Limiter – A two-band “brick wall” look-ahead limiter to deliver precise peak control.
- Downward Expanders – Fully adjustable multiband expanders help minimize noise present in recorded audio sources or via microphone in noisy studio environments.
- Input AGC – The first processing gain stage, typically used to compensate for varying input levels from the board or automation playout system. Features a sidechain control EQ circuit to make the AGC more/less sensitive to certain frequencies, useful for ensuring strong bass or dynamic female vocals don’t cause “hole punching” artifacts in the processed audio.
- Wideband AGC 1/2/3 – Additional wideband compressors that can either be “stacked” atop the Input AGC for additional gain control, located after the multiband processing stage or used as dedicated bass compressors to customize bass texture.
- Parametric EQ – Six bands of fully adjustable equalization to customize the EQ curve ahead of the multiband AGC stage.
- Stereo Enhancer – A multiband enhancer that can fully manage the stereo image by widening material that has less L-R content and narrowing material that has more, providing a very customizable and consistent stereo image regardless of the original content.
- Multiband AGC/Limiters – User-selectable between two and seven bands to provide an output that is more faithful spectrally to the input audio or extremely consistent spectrally regardless of the input. A dedicated peak limiter rides atop each AGC band.
- Band Mix – The final means of adjusting spectral balance before the final peak limiters, providing further customization of the sound.
