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Among its most important advantages are an HD Limiter, a Low Distortion Bass Clipper and a Low Distortion FM Limiter. SOUND4 FIRST comes equipped with Analog, Digital and AES-67/Livewire inputs and outputs, as well as an MPX FM output and a streaming output fully compatible with all standard servers, including HLS. Additionally, it solves the so-called “blending problem” resulting from the switch of receivers from stereo to mono, bringing you a constant level of clear audio. The product is fully BS-412 compliant and has a reliable backup source which ensures an uninterrupted audio stream.
SOUND4 FIRST Fields of Application
The SOUND4 FIRST is a three-band processor and the smallest device in the FM product line. It is particularly well-suited to the following uses:
The SOUND4 FIRST can thus be used as an audio broadcaster thanks to the PCIe entry driver, as a processor thanks to the processing functions and as an Audio streamer thanks to the streaming option.
A Highly Versatile Processor
The SOUND4 FIRST is the first small processor that has been specifically developed for new radio markets. The outputs can thus be used simultaneously for FM and HD, DAB, DRM or, of course, WebRadio.
An Integrated Backup Solution
Much more than a mere processor, the SOUND4 FIRST has Audio Backup functionalities. Due to the capacity of its hard disk to store audio files, it is the first processor that guarantees continuity of the on-air program, solving the problem of radio silence.
An Integrated Basic RDS Encoder
In addition to being a high-quality processor and offering a backup audio source, the SOUND4 FIRST also provides the option of a basic or a full RDS encoder, the latter being UECP-compatible.
Fully Compliant with All Standards
With the SOUND4 FIRST, clients can be sure that they have a product which meets the various radio broadcast standards worldwide. It thus fulfills the following criteria:
Processing
Input State
The SOUND4 FISRT has four inputs - Digital, Analog, IP (Livewire or SOUND4 IP Connect) and PCI.
On the software interface, the input currently in use is indicated by a triangle on the left side of its name.
2-Band AGC
With the SOUND4 FISRT, the first processing function is the 2-Band AGC - automatic gain control whose main purpose is to stabilize the loudness level applied to the input of the processor and prevent noticeable level differences between recent and old titles.
Tone FX
The Tone FX makes coloring of sound before dynamic processing possible. To do so, it groups together two types of processing functions:
The two functions offer results that are entirely different, which is why they are gathered on one single screen.
In Basic mode, use of the four parametric equalizers is simplified to the maximum. Only the gain for each correction is accessible. For FX Bass and FX Treble, dosage of the effect is also made accessible.
In Advanced mode, users have access to all equalizer parameters (gain, frequency and Q factor).
Stereo FX
SOUND4 FISRT has a true stereo enlarger, 100% mono-compatible. Its role is to sublimate the existing stereo image. It will thus never create stereo in mono sources.
In addition to embellishing the stereo image, it also has a 3-band stereo image limiter acting on the control of the energy transmitted by the stereo sub-porter at 38 kHz. This unique functionality limits issues currently caused by the traditional enlargement processes. The stability of reception in areas disturbed by multiple routes is thus greatly optimized.
The 3-Band Process
The 3-band Process is the heart of dynamic processing. With SOUND4 FISRT, a single algorithm guarantees the gain in each of the bands in order to complete sound stabilization. “Coloring” is controlled by the Fidelity parameter. Thus, it is possible to have a purist and a colored sound texture.
The 3-band Process is achieved through the revolutionary algorithm S.I.S. (Sound Impact System), which makes it possible to maintain the authenticity of the original sound attacks.
The 3-Band Limiter
The main purpose of the 3-band Limiter is to prepare the work of the final limiter. It is also provided with a very powerful predictive algorithm, which has been simplified to the maximum, so that it is not encumbered with useless parameters.
The Final Limiter
The Final Limiter comprises two sections - one for FM applications and one for HD applications.
The FM Section consists of a Bass Clipper, guaranteeing powerful bass without distortion, an FM limiter and an MPX limiter.
The HD Section is specifically designed for high quality digital applications (HD/DAB/DRM). This is a look-ahead type of limiter and in this mode the outputs are not limited to 15 kHz.
Assignment of Outlets
The outlets of SOUND4 FISRT are fully assignable. For example, the analog outlet may replicate the signal which is applied to the analog input, the digital outlet delivers an HD signal, the TX1 outlet delivers the MPX signal and the TX2 outlet drives the 19-kHz pilot signal.
Features
Specifications
Analog Input |
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Quantity |
1 stereo |
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Level |
2 ranges (+12 or + 24 dBu - software selectable) |
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Impedance |
10k |
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Connector |
XLR female balanced and EMI suppressed |
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Digital Input |
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Quantity |
1 stereo |
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Standard |
AES 3 |
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Sampling Rate |
32 to 192 kHz - 24 bits |
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Connector |
XLR female balanced and EMI suppressed |
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AES/EBU Input Sync |
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Quantity/Connectors |
1 BNC female connector |
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Sync Type |
Word Clock - 32 to 192 kHz |
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Level |
1 to 6 volt |
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SCA/RDS Input |
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Quantity/Connectors |
1 BNC female connector |
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Type |
Adder |
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Analog Output |
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Quantity |
1 stereo |
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Level |
2 ranges (+12 or + 24 dBu - software selectable) |
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Load Impedance |
typical 10k - maximum load impedance 300 ohm at 24 dBu |
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Connector |
XLR male balanced and EMI suppressed |
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Digital Output |
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Quantity |
1 stereo |
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Standard |
AES 3 |
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Sampling Rate |
32 to 192 kHz - 24 bits |
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Connector |
XLR male balanced and EMI suppressed |